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Nor is learning to be sexually desirable the same as exploring your own desire: your wants, your needs, your capacity for joy, for passion, for intimacy, for ecstasy….

The culture is littered with female body parts, with clothes and posturing that purportedly express sexual confidence.

By some measures, girls appear to be faring rather well in twenty-first-century America.

Teenage pregnancy rates have been in steady decline since the 1990s.

(Several rejected the idea of cunnilingus as embarrassing and worried that their vaginas were “ugly, rank, unappealing.”)Some of the misery of teenage girls’ sexual experiences is attributable, Orenstein contends, to the “hookup culture” in which sex, “rather than being a product of intimacy…has become its precursor, or sometimes its replacement.” (Rates of female orgasm are much lower for casual encounters, she notes, than for sex that takes place within committed relationships.) Another contributing factor, she suggests, is the part that pornography now plays in determining normative standards of teenage sexual behavior.

As one example of this, she points to the fact that most of her interview subjects had been dutifully shaving or waxing their “bikini areas” since the age of fourteen.

Both Sales and Orenstein have undoubtedly grim and arresting information to impart about the lives of American girls.Because that means you’re the girl everybody wants to fuck.And everybody wants to be the girl everybody wants to fuck. The “empowering” nature of hotness is a theme that crops up frequently in Sales’s book.Girls have higher graduation rates than their male counterparts at all educational levels.The popular culture abounds with inspirational images and anthems of girls “leaning in” and “running the world.” But according to two new, rather bleak books, these official signs of progress have given us an unduly rosy impression of the modern girl’s lot.

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  1. Company Bio and Credits: SPEED DATING TONIGHT Presented by Poor Richard’s Opera Conceived by Dean Anthony Words and Music by Michael Ching Producer and Director – Siddhartha Misra Music Director – Ting Ting Wong CAST: Quinn, the bartender – Jackson Williams Stephanie, the waitress – Sara Stejskal Kaylee, the event coordinator – Danielle Horta The Daters: (played by: Brynn Terry, Jennifer Holbrook, Dane Allison, William Lim, Peter Christian, Andrew Shaw, and Clayton Mathews) Dater #1 – “The Realtor” Dater #2 – “Lives at Home” Dater #3 – “Liar? (Obsessive Screen Disorder)” “Well sung is better than well said.” Our goal is to put opera back in the hands of of the people who love it the most: its fans and its artists.